Online Interview

Link to interview with Jeanne Quinn in American Craft

Essay

Link to essay for Ceramics In The Expanded Field, Arts and Humanities Research Council, University of Westminster, London.

Podcast

Interview with Barbara O'Brian, chief curator at the Kemper Museum of Contemporary Art.
Part 1
Part 2

Exhibition Text

True and Reasoned and Impure and Inexplicable
Excerpted from "Solid State," by Sarah Archer. Published in the exhibition catalogue for Flow: The 2014 NCECA Ceramic Arts Invitational. Milwaukee Art Museum, Milwaukee, Wisconsin.

Jeanne Quinn: LaceMath
Artist Statement by Jeanne Quinn

Jeanne Quinn: Ceramic In(ter)ventions
Show Brochure, Podcasts, Article in Kansas City Star
Review by Glen R. Brown, Ceramics: Art and Perception, 2012

You Are The Palace, You Are The Forest
Artist Statement by Jeanne Quinn
Links to articles in the New York Times, Denver Post and news channel coverage
Review by Glen R. Brown, Ceramics: Art and Perception, 2012

All That Is Still Melts Into Air
Review by Dylan J. Beck, Ceramics: Art and Perception, 2010

A Thousand Tiny Deaths
Review by Elizabeth Wilson, Sculpture Magazine, September 2010
Links to reviews in ArtLies and Austin 360,
Gallery Tour by curator Lisa Tamaris Becker

Everything Is Not As It Seems
Artist Statement by Jeanne Quinn
Links to articles in American Craft, Design Sponge and NY Times.
Review by by Elizabeth Reichert, Ceramics Monthly, May 2009, p. 24.

The Map Preceeds the Territory
Excerpted from "Nature, Manipulation and the Hybrid: Ceramic Sculpture Today," by Kate Bonansinga. Published in the exhibition catalogue for Full and Spare, Florida State University Museum of Fine Arts, 2008.

Three Ways To Say I Love You
Excerpted from "Art, Technology, and the Human Imperative," by Scarlet Cheng.
Published in the exhibition catalogue for Arm's Length In: Ceramics and the Treachery of Objects in the Digital Age: 2008 Scripps College 64th Ceramic Annual. Ruth Chandler Williamson Gallery, Scripps College, 2008.

The Perfect World
Artist Statement by Jeanne Quinn

Confluence
Project Description

Multiplicity
Review by Amy V. Grimm, Multiplicity: Contemporary Ceramic Sculpture
Review by Katherine Bovee, Multiplicity (NCECA Roundup Part III)
Exhibition Catalog Excerpt, Bigger, Better, More: Multiplicity in Context, by Stephanie L. Taylor and Vincent Burke.

Valentine (Chandelier)
From Strata: New Perspectives on Ceramics from Scandinavia and the United States. Exhibition catalogue, Stockholm: Skulpturens Hus, 2005.
Curatorial statement by Lisa Tamiris Becker.

Sex Pots
by Paul Mathieu. Piscataway, New Jersey: Rutgers University Press, 2003. Published simultaneously by A & C Black, London; Verlag Paul Haupt, Bern.

Perfect Lover
Artist Statement by Jeanne Quinn
Review by Marcus Cain, "Craft is a Given, Concept is Key"
Exhibition Catalog Excerpt, "Material Speculations," by Donald Kuspit

Where I Live, This is What the Sky Looks Like
Artist Statement by Jeanne Quinn
Curatorial Statement by Britt Yngveson, "Keramiker på små moln" (Ceramicist in the Clouds). Sydsvenskan, Malmö, Sweden, October 25, 2003, p. C20. Translation by Jennifer Forsberg.

I am Penelope, I am not Penelope
Artist Statement by Jeanne Quinn

Neither/Both
Artist Statement by Jeanne Quinn